Kimon Marengo




 

 

 

 

 

 


Spartacus, USA History, British History, Second World War, First World War, Germany,
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Kimon Evan Marengo was born in Egypt in 1907. A talented cartoonist and illustrator, he studied at the Ecole Libre des Sciences Politiques (1929-1931) in France. Taking the pen name Kem, he drew cartoons for Le Petit Parisien and Le Canard Enchaine. His work also began appearing in the Daily Herald and the Daily Telegraph.

In 1939 he went to Oxford University but during the Second World War produced over 3,000 political cartoons and posters for the Ministry of Information. He also wrote and illustrated eight booklets that were dropped over occupied territory by the Royal Air Force.

After the war Marengo returned to Oxford where he began work on his Ph.D. thesis The Cartoon as a Political Weapon in England: 1783-1832. Kimon Evan Marengo died in 1988.

 

Kimon Marengo, The Progress of
Russian and German cooperation
(1939)

 

 


 

(1) Valerie Holman, History Today (March 2002)

Kern saw the cartoonist first and foremost as a political commentator with a viewpoint of his own, comparing his art to that of a leader-writer in the national press. Like the eighteenth-century satirical draughtsmen whose prints he studied and collected, his chosen weapon was ridicule rather than vilification, and many of his cartoons during the Second World War show the follies and foibles of the Axis leaders. For example, a single image conjures up the "progress of Russian and German cooperation". With one boot between them, Hitler and Stalin's three-legged race looks doomed from the start: one points forward as the other turns back, their weapons more an encumbrance than a threat, and their prancing at odds with the pitiful state of their uniforms. This hapless, laughable, down-at-heel pair epitomise the way in which Kern caricatured dictators and show why he was already on the blacklist of both Hitler and Mussolini. Originally designed as a poster and captioned in Arabic, this particular image was distributed throughout the Middle East where
the image of Stalin was forced to undergo a major transformation after Russia switched allegiance and became a key member of the Grand Alliance, following the German invasion of Russia in June 1941 and the collapse of the Nazi-Soviet Pact.

 

 

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