(1)
Robin
Ramsay, Who Shot JFK (2002)
Even Eisenhower
could feel the winds rising. War hero, war leader, soldier
and Republican, Dwight Eisenhower had used a televised farewell
address to the
American people not to say, "I'm off to play golf and God bless
America," but to warn them of the dangers presented by the
American "military-industrial
complex" - the Pentagon and its vast hinterland of arms manufacturers
and the intelligence services.
Into this
context arrived Kennedy, who talked the conventional Cold War-Soviet
menace talk when he had to before the election, but who, after the
Bay of Pigs and the Cuban Missile Crisis, went off the rails as
far as the military-industrial complex was concerned. He did a deal
with Kruschev and promised to leave Cuba alone; he began trying
to wind down the ClA's army of anti-Castro Cubans; he signed the
Test Ban Treaty; he was preparing to allow the Italian Communist
Party into a coalition government; he was planning to cut US defence
spending abroad to reduce the US balance of payments deficit; and
wanted to begin pulling the US out of Vietnam. These are not the
actions of a Cold Warrior. The Cuban Missile Crisis had scared the
politicians involved in it.
In a sense
the debate about who Kennedy was is easily solved: there were two
Kennedys. The Cold Warrior Kennedy who got elected changed - or
dropped his conservative cover - after the Cuban missile crisis
and became a liberal Democrat.
Perhaps
most significant of all, Kennedy wanted out of the then rapidly
expanding war in Vietnam. The military-industrial-intelligence complex
and the political right saw retreat in the Caribbean followed by
the prospect of retreat in the Far East. The military-industrial
complex wanted the Vietnam war as part of what they saw as the ongoing
Cold War struggle with communism: it was just a bonus that, in pursuing
the war, they stood to make a lot of money and have good careers.
Whether or not we try to locate the assassination conspiracy in
this milieu, and many of the researchers do, Kennedy was going up
against the military-industrial complex on almost all fronts - the
forces his predecessor had warned against. When the scale of what
Kennedy was thinking of doing is understood it is very tempting
to see it as Kennedy
stepping too far out of line and the system getting rid of him.
(2)
Robin
Ramsay, Who Shot JFK (2002)
The official, government
version of the assassination was that lone assassin, oddball, ex-Marine,
self-proclaimed Marxist and defector to the Soviet Union - and how
weird was that in 1963? - Lee Harvey Oswald shot Kennedy from his
place of employment, the Texas Book Depository, which overlooked
the route of the parade Kennedy took through Dallas that day. He
did it for reasons unknown, but probably down to personal inadequacies
and jealously of the charismatic young president. According to the
official version, having shot Kennedy, he left his clapped-out,
dirt-cheap, bargain-bin, piece-of-shit, surplus rifle with inaccurate
sights, ran down to the canteen in the warehouse and got a Coke
from the machine in time to be sitting there to be confronted by
a Dallas policeman investigating the shooting. Identified as an
employee of the building, Oswald wandered out and caught a
bus, went home, shot a Dallas policeman and sneaked into the movies
without paying. Oswald was then arrested by the Dallas police and
shot the next day, in the police station, by Jack Ruby, the owner
of a strip club in Dallas. Incoming President Johnson set up a commission
of inquiry, chaired by Chief Justice Earl Warren and stuffed with
the great and the good - including Alien Dulles, erstwhile Director
of the CIA. The Warren Commission, as it became known, published
a report after its inquiry stating that
Oswald had done it alone.
The Commission's
verdict was a lie, a deception, baloney - and insulting baloney
at that. They didn't even do a good job on the deception. The politicians,
the military and the intelligence services had been getting away
with so much since 1945, had the major media so totally co-opted
into the Cold War crusade against the Soviet Union, they didn't
think it would matter that the Commission's report was nonsense:
they thought the schmucks would buy whatever was served up to them.
(3)
Robin
Ramsay, Who Shot JFK (2002)
Shaw was a director
of the World Trade Centre in New Orleans and was brought into a
similar project in Italy involving a company called Permindex (Permanent
Industrial Exhibitions), which proposed to create a network of World
Trade Centres: propagandising for American business. Around these
bare facts was created a story in which all these companies were
CIA fronts for covert operations and assassinations. Permindex had
been involved in trying to assassinate General de Gaulle and then
had killed JFK. This story was planted on a Soviet-sympathising
Italian newspaper; was then picked up by a left-wing magazine in
New York and a magazine in Canada; and thence made its way to the
Garrison investigation. And Garrison believed it without checking
it. His 1988 book. On The Trail Of The Assassins, carries a couple
of pages on Permindex in which he quotes only the Canadian and Italian
versions of the story. Parts of this Permindex story - itself disinformation
- were then picked up and used to form the centrepiece of the most
famous and most durable piece of disinformation generated by the
case, the Nomenclature Of An Assassination Cabal by 'William Torbitt,'
better known as the Torbitt Memorandum. 'Torbitt' took Garrison's
inquiry into the ClA's links to the assassination and converted
them into a story about the FBI's responsibility for the assassination.
(This, in my view, tells us that the author/s of Torbitt were working
for the CIA, trying to diminish the 'Garrison effect.') At the beginning
of the first chapter 'Torbitt' tells us that the assassination was
the work of the FBI and the Defense Intelligence Agency, who jointly
ran 'the Control Group.' These two agencies ran another really secret
agency, the Defense Industrial Security Command (DISC). Clay Shaw,
David Ferrie et al., previously identified as CIA, were in fact
DISC. Because it was 'underground' and - because it was full of
interesting and authentic-sounding bits and pieces, Torbitt was
'sexy.' However, as soon as I began trying to check the few citations
in it, they proved to be useless: either they didn't exist, were
impossible to get or, when tracked down, didn't say what Torbitt'
said they did. But Torbitt lives on. Like all good conspiracy theories,
it is immune to refutation.
(4)
Graeme
Bowman, Sunday Herald
(17th August, 2003)
Who whacked JFK?
What happened to Dodi and Di in Paris? Did Blair and Campbell tell
us all porkies about Iraqi weapons of mass destruction, and how
many American troops are based overseas in foreign states?
If these questions give you sleepless nights, speak to Robin Ramsay,
editor, publisher and chief writer behind Lobster, the world’s
most authoritative conspiracy theory magazine. You probably won’t
have heard of it – Lobster only surfaces twice a year and it’s
not available in WH Smith’s next to Loaded or Maxim. It doesn’t
carry advertising or pictures, and it’s kept afloat by a small
but dedicated band of subscribers.
Movie director,
subscriber and occasional Lobster contributor, Alex Cox, is a big
fan of Ramsay: “Robin is the only journalist writing and publishing
articles about the deeply dodgy Atlantic Alliance. The reason we
are in such a mess today – the reason we went to war for American
oil companies – is this alliance, and Robin is the lone investigator
digging at the roots of it. His work, published in Lobster, will,
in later years, be regarded as of vital importance in understanding
these things.”
Quite an
endorsement, and Lobster’s certainly a conspiracy theory magazine
with a difference. While other publications might try to kid you
that the Windsors are a race of super-intelligent space lizards
(if only they were that interesting), or that Hitler ended up running
ice-cream parlours in Buenos Aires, the Lobster credo is facts,
figures and verification. Every unpalatable truth featured in the
mag is backed up with references, so if you think Lobster’s
leading you up the garden path, you can examine the original sources
and draw your own conclusions. It’s this standard of authentication
that differentiates Lobster from the competition and explains why
it’s still going strong 20 years after it first saw the light
of day in a Hull back bedroom.
So what
sort of terrain does the armour-plated crustacean cover? Recent
issues have examined the impact of naval sonar devices on whales
(it kills them), an alternative take on Watergate (it all started
with hookers), election-rigging in the UK (remarkably easy to do),
an analysis of al-Qaeda’s PR campaign (amazingly effective),
and possible CIA involvement in attempts to sink a boatload of buses
in the Thames in 1964. It’s an eclectic brew which reflects
its editor’s passions and interests, so if you want to know
more about Lobster, you need to understand Ramsay. It’s a life
story which takes us into an almost vanished world of bohemian beatniks,
free jazz freak-outs and spontaneous art happenings. There’s
even a small but hugely influential role for the poet laureate of
suburban despair, Philip Larkin.
